The structural period / 2018
Looking for a structure can be like looking for your own language to speak. Some moments.
Turn off / 2018
It’s like asking where a painting has a bone. Where it has its skin. What it intends to do with us. To believe, that the image comes alive with the energy that is put into it, has its results.
Shards paintings II. / 2018
First step towards “Afterimages” series.
Shards paintings / 2018
Cuts are increasing. Memory is full of fragments that do not connect. The first step to the “Afterimages” series.
Paper paintings / No. 4 – 5 / 2018
Instead of brushes, there are knives and scissors, and instead of paints, the pages of fashion magazines.
It is a moment of searching for a relationship to painting, to its meaning, the recycling of paintings and the over saturation of the environment that closely surrounds a person.
Collages / Evolution II. / 2018
The theme of the painting that is hidden behind the painting is now made up of cuts. These are literal cuts and also die-cutting that projects images into the plans. Instead of brushes, there are knives and scissors, and instead of paints, the pages of fashion magazines. Several collages represent the mixing of worlds, pages, in environment and in time.
Collages / Evolution I. / 2017
A return to a series of linear paintings from 2014 in the form of collages. The theme of the painting that is hidden behind the image follows the points and is now formed by cuts. These are literal cuts and also die-cutting that projects images into the plans. Instead of brushes, there are knives and scissors, and instead of paints, the pages of fashion magazines.